Category Archives: 52weeks

52weeks

Week 22 . 100 Artists . West Coast Artists vs. Guggenheim and Louvre Museums

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sTwo Botehs March 11 2014
West Coast Artists vs. Guggenheim and Louvre Museums, mixed media, 2014

To view more works from the exhibit click here

This week’s contribution to Gulf Labor’s 52 Weeks is Labor-Migrant-Gulf, an Exhibit at Southwestern College, San Diego, March 13 to April 10, 2014
 
Labor/Migrant/Gulf explores migrant workers struggles throughout the world with pointed emphasis on workers from Central and Southeast Asia who work in the Arabian/Persian Gulf, Mexican workers on the US-Mexican border, and California’s migrant history. The exhibit at Southwestern College, a few miles away from the US – Mexican border joins artists from around the world to bring awareness to the human struggles of the world’s poorest laborers. Many of the artists in the exhibit that have shown in the United Arab Emirates (Dubai, Abu Dhabi, Sharjah) first became aware of the conditions at the Sharjah Biennial in 2009 and began a petition to push the Guggenheim Museum to be mindful of the harsh and unsafe working conditions. A sub-theme is the artist’s identification with migrant laborers.  Perhaps artists are one or two rungs above the world’s poorest labor pools?  This exhibit attempts to break down hierarchies between established artist and other artists, therefore children and young adults are included.  Labor/Migrant/Gulf at Southwestern College will be organized in two parts: One part is a traditional group exhibit of about a dozen artists. The other part is collective pieces made up of art from about 90 artists to form the shape of large boteh or paisley designs. The boteh/paisley is a significant ornamental design that has religious, historical, colonial, counter culture, and labor meaning and inferences. The boteh/paisley designs honor the Asian migrants that inspired this art exhibit. 
 
– Doris Bittar, artist/curator
 

_________________________________________________________________________

Gulf Labor is a coalition of artists and activists who have been working since 2011 to highlight the coercive recruitment, and deplorable living and working conditions of migrant laborers in Abu Dhabi’s Saadiyat Island (Island of Happiness). Our campaign focuses on the workers who are building the Guggenheim Abu Dhabi, Louvre Abu Dhabi, and the Sheikh Zayed National Museum (in collaboration with the British Museum).  

“52 Weeks” is a one year campaign starting in October 2013. Artists, writers, and activists from different cities and countries are invited to contribute a work, a text, or action each week that relates to or highlights the unjust living and working conditions of migrant laborers building cultural institutions in Abu Dhabi.

To learn more visit: www.gulflabour.org

Please read and/or sign our petition

For additional information, please email: contact@gulflabour.org

 

52weeks

Week 21 . Maryam Monalisa Gharavi . [they] built for eternity

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[they] built for eternity - gharavi - 2014

they built for eternity, acrylic and inkjet, 2014

This week’s contribution to Gulf Labor’s 52 Weeks is by Maryam Monalisa Gharavi
 

To download, print, or simply see a higher resolution version of the work, please click here

_________________________________________________________________________

Gulf Labor is a coalition of artists and activists who have been working since 2011 to highlight the coercive recruitment, and deplorable living and working conditions of migrant laborers in Abu Dhabi’s Saadiyat Island (Island of Happiness). Our campaign focuses on the workers who are building the Guggenheim Abu Dhabi, Louvre Abu Dhabi, and the Sheikh Zayed National Museum (in collaboration with the British Museum). 

“52 Weeks” is a one year campaign starting in October 2013. Artists, writers, and activists from different cities and countries are invited to contribute a work, a text, or action each week that relates to or highlights the unjust living and working conditions of migrant laborers building cultural institutions in Abu Dhabi.

To learn more visit: www.gulflabour.org

Please read and/or sign our petition

For additional information, please email: contact@gulflabour.org

52weeks

Week 20 . G.U.L.F. (Global Ultra Luxury Faction) . Is this the future of art?

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action_stitch2-640

Protest action inside the Guggenheim Museum, New York City. Saturday, February 22, 2014.

This week’s contribution to Gulf Labor’s 52 Weeks is by G.U.L.F. (Global Ultra Luxury Faction) 
 
To view the full video of Saturday’s action, please click here
To view the flyer that was distributed during the action click here
 
G.U.L.F. took direct action against the Guggenheim Museum in New York as part of a solidarity initiative with South Asian migrant workers on Saadiyat Island. The following statement has been released by G.U.L.F. in response to a series of statements made by the Guggenheim Foundation this week:
Each time the Guggenheim speaks, its approach to migrant labour issues on Saadiyat Island sounds more like that of a global corporation than that of an educational or art institution. We would like to remind the Guggenheim that it’s a museum, with a mission to “explore ideas across cultures through dynamic curatorial and educational initiatives.” Museums should help the public come to a greater understanding of the global complexities we all face.
 
Each day the Guggenheim hides behind the excuse that “construction has not yet started on our building” is another day of evading decisions and actions which could prevent a future migrant worker’s servitude. Right now, the Guggenheim Abu Dhabi’s infrastructure is being constructed. That infrastructure includes roads, sewage, water, electric, net pipes, etc., leading to the museum. But other components of the work are also under way. We can only assume that money has been transferred to the Guggenheim here in New York in order to hire the curators and administrators of Guggenheim Abu Dhabi. We know that events off-site have already been organized. Works of art have certainly been bought, insured, and stored. Last but not least, Saadiyat Island is being sold to investors on the basis of the Guggenheim’s name, along with those of the Louvre, the British Museum and others. How can the Guggenheim claim that construction has not begun? 
 
Even if we were to take at face value the claim that construction of the Guggenheim Abu Dhabi has not begun, we would say the following: NOW thousands of workers who will build your museum are taking on the massive debt that will take them years to repay; NOW workers are being recruited with promises that will not be fulfilled, for jobs that will pay less than they expected; NOW workers are applying for the passports that may be confiscated as soon as they land in the UAE; and, surely, NOW is the time to do something about all of this.
 
It is unfortunate but not surprising that the Guggenheim refuses to open its doors to a serious public dialogue about the migrant labor issues in Abu Dhabi. A museum of its stature must foster public education about the conditions under which art is viewed. The Guggenheim is stepping back from this social responsibility as it focuses on expanding into new global markets. 
 
As for the underpaid Guggenheim guards’ wages in New York, passing off culpability to a subcontractor is no longer an acceptable practice, even in the corporate world. The Guggenheim should pay all employees at least a living wage, even if they are on a contractor’s payroll.
 
Sadly, the Guggenheim’s latest response confirms our expectation. It has tried to hide behind technicalities and PR spin as it waits for news cycles to die down. We know the composition of their board and it does not surprise us. A 1% Global Museum with a 1% Board that cares very little about its lowest-paid employees and the example it is setting to the world.
 
We will be back.
 
G.U.L.F
(Global Ultra Luxury Faction)

_________________________________________________________________________

Gulf Labor is a coalition of artists and activists who have been working since 2011 to highlight the coercive recruitment, and deplorable living and working conditions of migrant laborers in Abu Dhabi’s Saadiyat Island (Island of Happiness). Our campaign focuses on the workers who are building the Guggenheim Abu Dhabi, Louvre Abu Dhabi, and the Sheikh Zayed National Museum (in collaboration with the British Museum). 

“52 Weeks” is a one year campaign starting in October 2013. Artists, writers, and activists from different cities and countries are invited to contribute a work, a text, or action each week that relates to or highlights the unjust living and working conditions of migrant laborers building cultural institutions in Abu Dhabi.

To learn more visit: www.gulflabour.org

Please read and/or sign our petition

For additional information, please email: contact@gulflabour.org

52weeks

Week 19 . Anna Stump . “Migrant Labor did not exist …”

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Anna_Stump
Migrant Labor did not exist in the Wonderland of Knowledge Encyclopedia, 1938. 
Gouache and Collage on Paper, 2013. 
 
This week’s contribution to Gulf Labor’s 52 Weeks is by Anna Stump
 

To download, print, or simply see a higher resolution version of the work, please click here

_________________________________________________________________________

Gulf Labor is a coalition of artists and activists who have been working since 2011 to highlight the coercive recruitment, and deplorable living and working conditions of migrant laborers in Abu Dhabi’s Saadiyat Island (Island of Happiness). Our campaign focuses on the workers who are building the Guggenheim Abu Dhabi, Louvre Abu Dhabi, and the Sheikh Zayed National Museum (in collaboration with the British Museum). 

“52 Weeks” is a one year campaign starting in October 2013. Artists, writers, and activists from different cities and countries are invited to contribute a work, a text, or action each week that relates to or highlights the unjust living and working conditions of migrant laborers building cultural institutions in Abu Dhabi.

To learn more visit: www.gulflabour.org

Please read and/or sign our petition

For additional information, please email: contact@gulflabour.org

52weeks

Week 18 . John Pitman Weber . Migrant

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JPW_small

Migrant, Woodcut, 2013

This week’s contribution to Gulf Labor’s 52 Weeks is by John Pitman Weber
 

To download, print, or simply see a higher resolution version of the work, please click here

_________________________________________________________________________

Gulf Labor is a coalition of artists and activists who have been working since 2011 to highlight the coercive recruitment, and deplorable living and working conditions of migrant laborers in Abu Dhabi’s Saadiyat Island (Island of Happiness). Our campaign focuses on the workers who are building the Guggenheim Abu Dhabi, Louvre Abu Dhabi, and the Sheikh Zayed National Museum (in collaboration with the British Museum). 

“52 Weeks” is a one year campaign starting in October 2013. Artists, writers, and activists from different cities and countries are invited to contribute a work, a text, or action each week that relates to or highlights the unjust living and working conditions of migrant laborers building cultural institutions in Abu Dhabi.

To learn more visit: www.gulflabour.org

Please read and/or sign our petition

For additional information, please email: contact@gulflabour.org

52weeks

Week 17 . Charles Gaines and Ashley Hunt . Cultural (En)richment

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Gaines_Hunt

Cultural (En)richment, poster, 2014

This week’s contribution to Gulf Labor’s 52 Weeks is by Charles Gaines and Ashley Hunt

To download, print, or simply see a higher resolution version of the poster, please click here

____________________________________________________________________________ 

Gulf Labor is a coalition of artists and activists who have been working since 2011 to highlight the coercive recruitment, and deplorable living and working conditions of migrant laborers in Abu Dhabi’s Saadiyat Island (Island of Happiness). Our campaign focuses on the workers who are building the Guggenheim Abu Dhabi, Louvre Abu Dhabi, and the Sheikh Zayed National Museum (in collaboration with the British Museum). 

“52 Weeks” is a one year campaign starting in October 2013. Artists, writers, and activists from different cities and countries are invited to contribute a work, a text, or action each week that relates to or highlights the unjust living and working conditions of migrant laborers building cultural institutions in Abu Dhabi.

To learn more visit: www.gulflabour.org

Please read and/or sign our petition

For additional information, please email: contact@gulflabour.org

52weeks

Week 16 . Jim Goldberg . Akima and Arif

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BANG_We Have Only Seen Father Once_Triptych_ref

Akima and Arif. Bangladesh, 2007.

This week’s contribution to Gulf Labor’s 52 Weeks is by Jim Goldberg

To download, print, or simply see a higher resolution version of the work, please click here

“We drove all day and into the night to reach this village in the north of Bangladesh. The village could not sustain itself, as it was no longer farmable. The trees had been cut down, the streams poisoned, and the floods had gotten worse.

There were plenty of children, grandfathers, and grandmothers, but few mothers, fathers, and teenagers. Everyone who was of age and able had left to seek work in Dhaka, or paid away their savings to a middleman who arranged for them to be sent to the Middle East.

Akuma had only seen her father once, seven years before, when he returned to the village and Arif was conceived.

Three fathers from the village had disappeared that year alone.”

— Jim Goldberg
_________________________________________________________________________

Gulf Labor is a coalition of artists and activists who have been working since 2011 to highlight the coercive recruitment, and deplorable living and working conditions of migrant laborers in Abu Dhabi’s Saadiyat Island (Island of Happiness). Our campaign focuses on the workers who are building the Guggenheim Abu Dhabi, Louvre Abu Dhabi, and the Sheikh Zayed National Museum (in collaboration with the British Museum). 

“52 Weeks” is a one year campaign starting in October 2013. Artists, writers, and activists from different cities and countries are invited to contribute a work, a text, or action each week that relates to or highlights the unjust living and working conditions of migrant laborers building cultural institutions in Abu Dhabi.

To learn more visit: www.gulflabour.org

Please read and/or sign our petition

For additional information, please email: contact@gulflabour.org

52weeks

Week 15 . Who Builds Your Architecture? (WBYA?)

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WBYA-52weeks-imageFinal

WBYA? proposes new standards be added to the AIA Code of Ethics and Professional Conduct in order to fulfill our professional and ethical obligation to those who build our architecture.  (Printable PDF, 2014)    

This week’s contribution to Gulf Labor’s 52 Weeks is by Who Builds Your Architecture? an interdisciplinary advocacy group that works to educate architects and other allied fields on the effects of globalization on architecture labor. WBYA? promotes fair working conditions and sustainable building practices at building sites worldwide.
 
To download, print, or simply see a higher resolution version of this weeks’ contribution, please click here
 
For more about WBYA? click here
_________________________________________________________________________

Gulf Labor is a coalition of artists and activists who have been working since 2011 to highlight the coercive recruitment, and deplorable living and working conditions of migrant laborers in Abu Dhabi’s Saadiyat Island (Island of Happiness). Our campaign focuses on the workers who are building the Guggenheim Abu Dhabi, Louvre Abu Dhabi, and the Sheikh Zayed National Museum (in collaboration with the British Museum). 

“52 Weeks” is a one year campaign starting in October 2013. Artists, writers, and activists from different cities and countries are invited to contribute a work, a text, or action each week that relates to or highlights the unjust living and working conditions of migrant laborers building cultural institutions in Abu Dhabi.

To learn more visit: www.gulflabour.org

Please read and/or sign our petition

For additional information, please email: contact@gulflabour.org

52weeks

Week 14 . Pedro Lasch . Of Saadiyat’s Rectangles & Curves

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Lasch_Sierra_Saadiyat_AbuDhabiFosterGehryHadidNouvelViñoly

Of Saadiyat’s Rectangles & Curves, or Santiago Sierra’s One Sheikh, Two Museum Directors, Three Curators, One University President, Two Architects, and One Artist Remunerated to Sleep for 30 Days in 13 x 14 foot Windowless Room with Shared Bathroom and No Door (2013).

This week’s contribution to Gulf Labor’s 52 Weeks is by Pedro Lasch
 
To download, print, or simply see a higher resolution version of the work, please click here
 
The unlimited edition print is part of Lasch’s ART BIENNIALS & OTHER GLOBAL DISASTERS project and has been designed specifically for 52 Weeks. Lasch and his collaborators in Beirut have also been displaying the 52 Weeks of Gulf Labor poster and its regular calendar updates in the context of the ART/WORLD/DISASTER exhibition at the AUB Byblos Bank Art Gallery between November 28, 2013 and January 19, 2014. This message is timed to be the closing component of that exhibition.
_________________________________________________________________________

Gulf Labor is a coalition of artists and activists who have been working since 2011 to highlight the coercive recruitment, and deplorable living and working conditions of migrant laborers in Abu Dhabi’s Saadiyat Island (Island of Happiness). Our campaign focuses on the workers who are building the Guggenheim Abu Dhabi, Louvre Abu Dhabi, and the Sheikh Zayed National Museum (in collaboration with the British Museum).  

“52 Weeks” is a one year campaign starting in October 2013. Artists, writers, and activists from different cities and countries are invited to contribute a work, a text, or action each week that relates to or highlights the unjust living and working conditions of migrant laborers building cultural institutions in Abu Dhabi.

To learn more visit: www.gulflabour.org

Please read and/or sign our petition

For additional information, please email: contact@gulflabour.org

52weeks

Week 13 . Marina Naprushkina . Life is as beautiful as…

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life is as beautiful_sm

Life is as beautiful as… Poster, 2013
Office for Anti-Propagada, Marina Naprushkina
This week’s contribution to Gulf Labor’s 52 Weeks is by Marina Naprushkina
 
To download, print, or simply see a higher resolution version of the poster, please click here
_________________________________________________________________________

Gulf Labor is a coalition of artists and activists who have been working since 2011 to highlight the coercive recruitment, and deplorable living and working conditions of migrant laborers in Abu Dhabi’s Saadiyat Island (Island of Happiness). Our campaign focuses on the workers who are building the Guggenheim Abu Dhabi, Louvre Abu Dhabi, and the Sheikh Zayed National Museum (in collaboration with the British Museum). 

“52 Weeks” is a one year campaign starting in October 2013. Artists, writers, and activists from different cities and countries are invited to contribute a work, a text, or action each week that relates to or highlights the unjust living and working conditions of migrant laborers building cultural institutions in Abu Dhabi.

To learn more visit: www.gulflabour.org

Please read and/or sign our petition

For additional information, please email: contact@gulflabour.org